▶ PLAYSP 0:30MMNT-001adidas OriginalsCampaign · Gazelle line
REC Momentous Company · Las Vegas, NV
f/1.8 · 24FPS
Avoid
Ordinary.
Not another crew reheating last week's trend with your logo taped on. Strategy, production, and the consistency to actually win.
00 / The Showreel
CH 00 · Showreel
12:00
SP · Stereo
● Hi-Fi
Momentous · Showreel · SP · Do not erase
MMNT VD-2000 · Hi-Fi Stereo
01 / The Thesis
Anyone can generate content now. Almost no one has a point of view.
AI killed the logistics. The gear, the overhead, the eleven-hour render. Gone. What's left is the only part that was ever hard: knowing what to point the camera at, why anyone should care, and how to get it in front of enough of the right people that caring turns into views, follows, and customers. That's the whole job now.
A great shot does what a strategy deck never will. It sticks. People remember it, feel it, act on it.Momentous, since day one
02 / The Tape Archive
Been rolling for years. Scrub the tape.
▶ PLAYSP 0:30
▶ PLAYSP 6×EPMMNT-002LEGO City6-part animated series
▶ PLAYSP HULUMMNT-003Larry King NowEmmy-winning Hulu series
▶ PLAYLIVEMMNT-00490 Years of PlayWalmart × LEGO livestream
▶ PLAYSP 0:60MMNT-005Stella ArtoisA bold take on a historic tagline
▶ PLAYONGOINGMMNT-006Meanwhile, In VegasAlways-on social · Visit Las Vegas
▶ PLAYSP 0:15MMNT-007adidas TERREXFree Hiker 2.0 social campaign
▶ PLAYSP 0:60MMNT-008Experience ScottsdaleCinematic tourism campaign
▶ PLAYSP 0:30MMNT-009Triscuit3 Simple Ingredients campaign
▶ PLAYSP 0:60MMNT-010The RockYouTube channel launch
▶ PLAYLF 12:00MMNT-011Justin FlomYouTube long-form
03 / The Coverage
One studio. The whole shot list.
No rotating cast of vendors. One crew runs strategy, direction, and production, the way an actual set runs, not a spreadsheet.
Strategy
Before a single frame. We build the growth plan underneath the creative: what earns attention organically, where paid accelerates it, and the cadence that keeps the numbers moving instead of resetting every quarter.
- Organic & paid growth strategy
- Channel & platform planning
- Performance tracking & optimization
- Audience & voice research
Direction
The point of view, applied. Concepts, scripts, and shot lists, plus the calls on set that turn a good idea into a finished piece.
- Creative direction
- Concept & scripting
- Art direction
- Talent & location casting
Production
Cameras roll. Emmy-winning crew, lean by design. Craft was never about how much gear showed up.
- Film & photo production
- Editing & post
- Motion & design
- Delivery, every vertical format
2Emmy-winning productions
11Billion-dollar brands served
3Scenes: strategy, direction, production
1Point of contact. Always.
04 / The Roster
Campaigns for the biggest names in the room. Standing production for the ones who never stop being the story.
Brands we've shot for
LEGOWALMARTADIDASMICROSOFTHPTRISCUITHELLOFRESHHILTONMARRIOTT BONVOYSIRIUSXMPANDORA
People we build with
LARRY KINGALEX HORMOZITHE ROCKJUSTIN FLOMRYAN'S WORLDMARIA WENDTPHIL IVEYSPY NINJASRCLBEAUTY101OFFICIAL COMEDY
Agencies & studios who pull us in
MACHINIMAAWESOMENESSTVSTUDIO71MAKER STUDIOSHAVASHOGARTHGREYGENEROMNTNVSCRL
Three rosters, one studio. Brands call for campaigns. Creators and public figures stay on retainer because their content never stops. Agencies and studios pull us in when the work actually has to get made.
05 / The Philosophy
Avoid
Ordinary.
Be Momentous.
06 / The Receipts
adidas · Originals → TERREX → Federation
Proof: they kept calling
One shoe campaign turned into three product lines
adidas brought us in to launch Originals' Gazelle. The campaign landed hard enough that they called again, this time for the Free Hiker 2.0 under TERREX. Then again, for Federation, their pro soccer line.
Same studio, three different corners of the adidas portfolio, one client who stopped shopping around.
3Product lines covered
3Campaigns delivered
0Times we had to re-pitch
1Studio they kept calling
LEGO × Walmart · 90 Years of Play
Proof: the numbers
A shoppable livestream that outsold the pitch deck
LEGO brought us in to produce a shoppable livestream with Walmart celebrating their 90th anniversary. It moved fast enough that LEGO asked for an encore, with the same results.
4M+Views
$5M+Sales generated
48 hrsSales window
2×Times LEGO asked for an encore
07 / The Feed
We've actually lived in the feed.
Not strategy that's never touched a real platform. Years spent cutting for the hook, the loop, the exact three seconds before a thumb keeps moving, in poker, wrestling, kids' content, late-night TV, and whatever's next. Every screenshot scattered around this text is a real post, a real audience, a real number.
43M+views across the posts on this page. Shot, cut, or directed personally.
08 / The Stills
Motion isn't the only thing we shoot.
Ad campaigns. Brand assets. Event coverage. Social content. Whatever needs to be a still instead of a scene. Twenty-two shots, real work, not stock.
09 / On Set
Crew > gear. Lights, sweat, donuts at midnight.
10 / Who's Behind the Camera
Four people. One crew. No department to blame.
“Create more, with less.”
Alex Darke
Chief Executive OfficerVegas kid, LA sharpened. Eight years as director of photography on the Emmy-winning Larry King Now, plus a Clio shortlist along the way. Worked with major brands and personalities across the industry, LEGO to Larry King himself. No patience for gear-as-procrastination. Craft is a point of view, not a lens kit.
Monique Marestein
Chief Operating OfficerStarted behind a camera and never really left it, just widened the lens to the whole operation. Keeps strategy, production, and every client relationship moving on the same schedule, with the same crew, every time.
Stefan Newman
Chief Production OfficerEmmy-winning director and producer with a decade of national and global campaigns behind him, Hilton, adidas, Triscuit, HelloFresh, SiriusXM, and counting. Runs a set like the deadline's already tomorrow, because on this crew it usually is.
Luther Redd
Chief Marketing Officer · Head of PhotographyPhotographer first, marketer by necessity. Shot for Vice Media, Universal Music Group, the Las Vegas Aces, and Hennessy, and now turns that same eye on Momentous's own brand and every client that needs stills, not just motion.
11 / The Call Sheet
What “always-on” actually looks like
01
Strategy call
We find your feeling, your channels, and the actual numbers we're chasing, views, follows, revenue, not just a look that tests well in a pitch.
02
The first cut
Thirty days in, you see what always-on content actually looks like from this studio, not a deck about it.
03
Keep rolling
Monthly retainer, one point of contact, one crew. Content that doesn't stop because a campaign ended.
12 / Let's Roll
Let's
roll.
Tell us what's not getting made yet. We'll tell you if it's a project or a retainer, and when we can start. No deck, no dog and pony. Just the plan.
Let's Cook